Lauren Mayer – Faculty Triennial 2012

Above: Lauren Mayer, “There is no room for me to rest in a thief” In much of Lauren’s work, she explores memory, trace, and metaphor through furniture, as can be seen in the piece for this year’s Triennial, “There is no room for me to rest in a thief,” a chair made of porcelain. In her newest work, she has been exploring the realtionship between furniture and the body. Mayer writes: “I am intrigued by the routines and habits that surround the things with which we live and how those routines are cerebrally and tactilely manifest in the real and made...

Mia Mulvey – Faculty Triennial 2012

Above: Mia Mulvey, Sylvae, 2012 Faculty Triennial Installation View Mia Mulvey received her MFA from Cranbrook Academy of Art and is currently an Assistant Professor at The University of Denver. Her ceramic sculptures are influenced by the intersection between art and science, its history, advancements, and tools, continually inspire her. Mulvey writes: While technique is not the main focus of my work, ceramic’s material qualities, associations, histories and craftsmanship all support my aesthetic and concepts. The challenge of creating something precise, perfect, and beautiful from a soft, raw material is a process I enjoy quite a bit. I am excited by the...

Timothy Weaver – Faculty Triennial 2012

Timothy Weaver is a new media artist whose work is directly related to life sciences and what he calls “ecological memory.” In his work “Hylaea: Campephilus,” he explores the lost ecological memory of the Campephilus bird, a sacred species whose endangered future is tied to that of the American forests. “Hylaea” refers to the mythical lost forests of ancient Greece, as well as to Humboldt’s exploration of the forests of America. The work is a compilation of large-scale prints, videos and ambient sound from the bird’s lost habitat. Timothy speaks of the “residues of extinction” and working with DNA imaging...

Catherine Chauvin – Faculty Triennial 2012

Catherine Chauvin is an assistant professor in the Department of Art and Art History at the University of Denver, where she teaches printmaking and drawing.  In recent years, her work has dealt with the Earth’s landscape – what people do to sculpt landscapes, their failure to return the landscape to its original state, and their lack of control in the battles nature wages against itself.  Chauvin comments that “Obviously, [she’s] not a scientist, but an artist who hopes to use a visual forum to address concerns in a visual way.”  Her pieces use meticulously drawn, repetitive shapes expressed in print...

Sarah Gjertson – Faculty Triennial 2012

  Above: Sarah Gjertson, “Relics” Sarah Gjertson, Associate Professor in Studio Art in the School of Art and Art History, teaches studio art courses, as well as advanced seminars. A versatile artist, Gjertson works in a variety of  mediums, including film, sculpture, installation and works on paper. Through these many ways of expression,  she seeks to create a sense of nostaligia for her audience by using materials that many people might have emotional associations with in order to elicit a response. Gjertson often uses actual objects, rather than substitutes or representations. She writes: “Our memories and personal experiences are often...

Deborah Howard – Faculty Triennial 2012

Deborah Howard is an Associate Professor of Drawing in addition to her position as the Head of the Painting Department at the University of Denver. Howard has made pieces covering a variety of subject matter, including series about the Dead Sea Scrolls, child Holocaust survivors and shoes. Despite the apparent visual variety displayed by her works, Howard finds that human presence is always a part of her work. In her selection for the triennial, Howard will display four shoe installations. She sees shoes as “both personal and universal” – shoes can communicate a lot about a person specifically as well...